Monday, January 27, 2020

The Role Of The Police Criminology Essay

The Role Of The Police Criminology Essay Roles are determined by social relations, which are governed by certain norms, and besides being comprised of habits, roles are not only constituted of obligations and responsibilities but also of rights and privileges. Since a level of importance is accorded to certain roles, those who occupy them have to be aware of and be committed to what the roles demand of them (Kleinig, 1996). Therefore, where police is concerned, their roles to enforce the law and maintain public order, and they should be committed to them. The police are the major law enforcement agency and besides undertaking crime control, they provide 24-hour emergency service and also give an all-purpose social service (Morgan Newburn, 1998). Since the duties of the police officers are diverse, as they even encompass social service, even if they are tentative due to lack of training in that particular department, four models have been proposed by Kleinig (1996) so as to provide an understanding of the roles and role conflicts of the police officers. They are the Crime-fighter, the Emergency Operator, the Social Enforcer and the Social Peace-keeper. 2.1.1 The Crime-fighter This model, supported by the social contract theory, has serious drawbacks as it overshadows the main role of the police and it renders police ethics meaningless. Police officers crime-fighter mode has a dualistic opinion on society. This dichotomy leads to the categorisation of people into two groups by the police officer. It prevents the officer from having an impartial judgement and from making the distinction between crimes, for example, shop-lifting and rape; and cultivates the tendency to be alienated from the population, with attitudes like us and them (Kleinig, 1996). This model is popular amongst police officers because they have come to believe that their survival in the law enforcement depends on their capacity to control crime (Morgan Newburn, 1998). However, police officers ought to realise that by emphasising too much on the enforcement of law, that is, fighting crime, they are forgetting one fundamental aspect of policing, which is to be of service to the public (Morgan Newburn, 1998). 2.1.2 The Emergency Operator A 24-hour service is provided by the police, because according to the emergency operator model, the police have to respond without any delay to the calls of help of the general population. As emergency operators, these officers have to respond to various cases, ranging from unexpected childbirths, family fights, road accidents, drunken fights in the middle of the night, to the occasional incidents of crimes (Morgan Newburn, 1998). 2.1.3 The Social Enforcer According to Bittner (1967): The role of the police is to address all sorts of human problems when and insofar as the problems solution may require the use of force at the point of occurrence. One of the core aspects of policing is the use of coercion to enforce the law and to maintain public order, and as stated by Bittner, it is the unifying feature of police work and the source of authority (Kleinig, 1996). To ensure crowd control and for peacekeeping purposes, coercive powers are required, as well as to bring to an end family disputes and other confrontations. However, the role of the police does not revolve solely around the powers of coercion but service to the citizens is equally important if not more. Moreover, the majority of the public find the police intimidating and not all situations demand the use of force. Therefore, a model which reconciles the role of enforcing the law of police officers with the expectations of the public is required. 2.1.4 The Social Peacekeeper As said by Kleinig (1996) the social peacekeeper model accommodates more aptly the various tasks of the police officer. This model emphasises the role of the crime-fighter and the emergency operator. Although the model gives police officers the authority to use coercive force, more emphasis is laid upon the subservient character of policing. Studies have shown that peacekeeping is the primary function of the police (Morgan Newburn, 1998). Yet, it is important to note that fighting crime and ensuring peace and order in a society is not the duty of the police but of the citizens as well because as they are part of the society, they also have the duty towards it, and they also should be committed to it. 2.2 Ethics in Policing Police functions have existed as long as human societies have existed (Kleinig, 1996) as the main tenet underlying police conduct and police ethics are, firstly the respect for human dignity and human rights and secondly, respect for the legal rule and the principle of legality. It is crucial that enforcing law and maintaining public order must be congruent with respect for the human person (Domingue, 2003). According to Sunahara (2002), discussions on ethics entails discussions on relationships, therefore, any discussions on relationships is also synonymous of discussions about the relationship between the police and the public. Even during arrest, detention and interrogation of suspects, maintenance of ethical standards is an important procedure. That is why the respect for human rights is the core principle of ethical policing, and policing in a democracy must be grounded on the consent of the population (Domingue, 2003). Since law enforcement is a profession, ethics and ethical conduct play an important role. Ethics and ethical standards involve doing the right thing at the right time in the right way for the right reason (Grant, 2002). To gain the respect of the public, police officers must behave correctly all the time both on duty and off duty. According to the police code of ethics, an officers fundamental duties are to serve the community, to protect people and property alike, to protect the innocent against deception, the weak against oppression or intimidation, and the peaceful against violence or disorder; and respect the constitutional rights of all to liberty, equality and justice. The code of ethics also states that officers must keep their private lives untarnished and recognise the badge and the uniform as a symbol of public faith and trust (Grant, 2002). Unless they are put into practice, these codes of ethics are mere words. The codes of ethics should have the same value for the police officers as the sacred texts for the religious individuals. What is essential is that police officers should act impartially, maintain confidentiality, make use of discretion, use force only when necessary and most importantly police officers should possess integrity. Ideally, by adhering to the codes of conduct, the officers will perform their duties correctly, according to procedures, and ultimately, no one, neither the media nor the public will tarnish the image of the police; but in reality this is not what happens. Given the nature of the police work, the public has a keen interest in it because policing is like a moral crucible in which the risks taken by the police and the prospects for moral actions are magnified (Cohen Feldberg, 1991). This scrutiny on the behalf of the general public is probably due to the fact that the police officers are the guardians of law and order in a democratic society. Every misconduct or mistake is exacerbated by the general public because the latter holds the belief that police officers should be the pillars of morality. Moreover, it is generally expected that officers, with no time for pondering, should act quickly and confidently in situations where the outcome is not readily anticipated (Cohen Feldberg, 1991). Nonetheless, one should not expect police ethics to characterise a distinctive type of ethics, but rather to be the expression of a more general ethics within the police context. The ethical demands on police under which all are placed, by virtue of common humanity, they are demands coloured by the specific roles that the police have and shaped by the circumstances under which they must decide (Kleinig, 1996). 2.3 Ethical Issues faced by the Police Force For an objective study on police deviance, it is necessary to define the term deviance. In simple terms, deviance is defined as behaviour which is totally different from or unacceptable by the norms and standards of society. However, given the complexity and the range of norms and values affecting the police, the study of deviance within the police demands an understanding of the difference in norms expressed at the legal, organisational, and internal levels (Kappeler, Sluder Alport, 1998). The discovery of police deviance is almost difficult to detect, but there exist some generally acceptable standards which evaluate the acceptability of behaviour. There are two groups of ethical standards which govern the police conduct, the first group being the external standards which include: constitutional, criminal and civil laws. The external standards apply to both the police and the general public. The second set of standards is internal standards, which are the departmental policies, pr ocedures, and regulations, and apply solely to the police (Kappeler et al., 1998). However, despite the existence of rules and laws governing police deviance, deviant police officers are a reality which cannot be ignored. When there are these types of occurrences, the responses are rather negative, depending on who discovered the deviant(s). On a first level, depending on the gravity of the act, the officer will have to be sanctioned; secondly, if the deviant behaviour has been discovered by a member of the press, then most probably the matter would be blown out of proportion so as to render the information sensational, and thirdly, there would be a decrease in trust for the police by the general public (Kappeler et al., 1998). Before embarking on the different types of deviance, it is important to understand the classification of the forms of misconduct. According to OConnor (2006), they are classified as: Malfeasance intentional commission of a forbidden act or intentional unjust performance of some act which the party had no right (e.g., gratuity, perjury) Misfeasance performance of a duty or act that one is obligated or permitted to do in a manner which is improper or negligent (e.g., report writing, aggressively reprimanding a citizen, improper searching of arrestees) Nonfeasance failure to perform an act which one is obligated to do either by law or directive due to omission or failure to recognise the obligation (e.g., failure to file a report, improper stop and search, security breach) 2.3.1 Types of Police Deviance 2.3.1.1 Affective and Discriminatory Acts Affective acts involve the expressions of emotions, but not all affective acts lead to police misconduct, as behaviour driven by emotions can lead to positive results (Sunahara, 2002). However, affective acts become deviant when it leads to overly aggressive behaviour, which makes the officer to physically or verbally assault a suspect, and such behaviours are against the police code of conduct, and frowned upon by the general population. Discriminatory acts are actions resulting from the negative assessment of a persons group characteristics (Sunahara, 2002). These acts can be translated into racism, xenophobia, homophobia, or they can be directed towards the marginalised individuals (for e.g., those people who are from deprived areas or homeless persons) and people belonging to minority groups. 2.3.1.2 Police Shakedown Police Shakedown occurs when a police officer extorts a business owner for protection money and it arises mainly with bars, prostitution rings, drug dealing and illegal gambling (Domingue, 2005). Extortion is characterised by any form of taking or obtaining property from another person by means of illegal compulsion or oppressive exaction. In common law it is defined as a crime committed by an officer of law, who, under cover of office, unlawfully takes any money or other valuable. 2.3.1.3 Police Perjury Perjury is generally defined as the false statement made under oath with respect to a solid matter, either in legal proceeding, as by witness at a trial, or in matters in which an oath is authorised or required by law. In this case, it would be the officer giving a false testimony. Police perjury is amounted to an act of corruption as the officer would be lying commission or by omission so as to ensure that the perpetrator is punished. It has been observed that most acts of perjury are committed by good cops who believe that the criminal would be acquitted if not for their lie (OConnor, 2006). 2.3.1.4 Police Brutality and Abuse of Authority According to OConnor (2006), police brutality is defined as force, name-calling, sarcasm, ridicule, and disrespect, which is a milder definition of police brutality unlike Kania and Mackeys (1977) much harsher definition, who view police brutality as excessive violence which does not help the legitimate police purpose. Besides, brutality in the police also involves abusive language, threats of implied violence, and actual use of physical force (Domingue, 2003). Police Brutality occurs in concurrence with police perjury as officers who commit police brutality will most likely lie on the stand to prevent the possibility of a lawsuit or departmental charges. In the Mauritian context, police brutality as perceived by the public is a real scourge. According to the Mauritian press, some police officers view their uniform as a sign of superiority, which also give them a sense of immunity to punishments and reprimands (LExpress, 2007). As stated by the same article, the Police Complaints Investigation Bureau received some 400 complaints of physical and verbal abuse in 2003. However, in Mauritius Times (2005) the reasons given for such acts committed by the law enforcement officials were the long hours put by the police, which in the case of some, lead them to lose their calm, the latter also deal with habitual criminals and people who would not think twice before attacking the police or change their statements. 2.3.1.5 Police Corruption According to the Select Committee on Fraud and Corruption in December 2001: It is impossible to measure the actual extent of corruption in Mauritius. Corruption leaves no visible trace, no blood stain and no finger prints. It is a consensual crime shrouded in secrecy. The participants are willing, consenting and happy. Not a crime of passion, corruption thrives on secrecy and silence. It is only when a person feels cheated or is actuated by a rare sense of duty and loyalty that he will report an instance of corruption. Rarely does a participant have an interest in revealing the deal. Few crimes are as hard as to prove. Perceived to be a victimless crime, it has a devastating effect on our livelihood This small excerpt was on the general occurrences of corruption. Police corruption is form o police deviance, and is an extension of the definition of corruption as given by the Select Committee (2001). However, to put in simpler words corruption is defined as the abuse of police authority for personal or organisational gain. This comes in many shapes and sizes, from the major drug trafficking and money laundering to looking the other way on minor everyday violations of the law (Grant, 2002). Corruption can be broken down into two sections, internal and external corruption. Internal corruption is the illegal acts and agreements within a police department by more than one of the officers. External corruption is the illegal acts and agreements with the public by one or more officers in a department. For a corrupt act to occur, three distinct elements of police corruption must be present simultaneously: firstly, misuse of authority, secondly, misuse of official capacity, and lastly misuse of personal attainment (Holloway, 2002). 2.4 Moral Dimensions of Policing During the pre-World War era, the idea of police ethics seemed to be contradictory, as it was portrayed progressive but few police officers advocated its practice and fewer civilians demanded it (Cohen Feldberg, 1991). However, this is not the case nowadays because; the public are now more keenly interested in the nature and proceedings of policing. This is so because the nature of the occupation in this particular domain is like a moral crucible, in which the risks taken by the police officers and the opportunities for moral actions are magnified. This scrutiny by the public is probably due to the fact that these officers act as the guardians of law and order in a democratic society. The general population also has the mistaken belief that, given the nature of the work, police officers need to be pillars of morality. In this context, it is expected of the officers to act, with no time for pondering, quickly and authoritatively in situations where the outcomes are not readily anticipated. On top of that, these officers are accountable for every event and/or every choice made. In this line of work, every action and non-action carries a moral weight for the officer. One of the key aspects of policing is discretion, which serves to help the officers in maintaining their duties as societys peace keepers and law enforcers. Nevertheless, this powerful tool that discretion represents is restrained by the laws and rules (for example, the code of conduct for police officers), which govern the actions of the police. Police officers, as figures wielding authority, are not complete free agents. For example, for the arrest of a suspect, they have to follow a certain procedure. This is illustrated by making sure that an arrest is lawful. Therefore, it is imperative that the reasons for the arrest, the power and the identity of the arresting officers are known (Domingue, 2005). However, despite the efforts employed to regulate police work, there is a degree of opportunity for options and choices in the performance of the job. According to Jerome Skolnick (1966), the work of the police is such that even the most routine work contains an element of discretion. The officer has the freedom to be a witness of the violations of law and order, which will lead to a subsequent arrest or he/she can turn a blind eye on such illegal occurrences. The officer has also the choice to end a dispute (for example, domestic dispute or dispute among neighbours) quickly or can hand over the case to a court clerk or lawyer and make the matter drag in court for a long period of time (Cohen Feldberg, 1991). The gist of the matter in this case is that the officer has the opportunity to make use of discretion, that is, make decisions on his or her own, almost on a daily basis and the occurrences are more frequent when the officer is on field. Another important matter to be taken in to consideration here is that a crucial part of policing involves the use of authority and coercion. According to Kleinig (1996), the concept of authority understands a complex unity. The term authority can be subdivided into three forms of authority: Positional or de jure authority (i.e., where the individual is in authority), Actual or de facto authority (i.e., where the individual has authority), and Expert authority (i.e., when the individual is an authority). It is usually claimed that these three forms of authority are conceptually independent; because someone who has authority does not necessarily mean that he or she is in an authority or is an authority. The same argument goes for the other two forms of authority. Authority is not a property which people possess but is essentially a normative social relation, i.e., a status which is granted. An individual who is in authority or has authority or is an authority, is one which is recognized by others as being in position to do or require or know about the object of authority. An important matter to be taken into consideration is that authority is often associated with power. But in many circumstances, where the police officers are concerned, this power is regulated by laws and rules. The underlying notion of authority is the presumption that the officer (or any individual) is in the know (Kleinig, 1996). This does not mean that the person is an expert about the object of authority. Police authority is a form of governmental authority and if the government loses credibility in the eye of the public, this will be reflected in the authority perceived to possess by the police. As authority figures, police officers are met with hostility on behalf of the public, because as law enforcers and maintainers of public order, they have as one of their duties to execute unpopular policies. In such cases, they are seen as oppressive rather than authoritative. Another factor which makes the public more hostile towards the law enforcement officials is the use of coercion. But coercive force is required in policing and it becomes a moral problem because coercion is both permitted and limited (Cohen Feldberg, 1991). It is important to take into account that: Police tend to have no greater moral insight or powers of analysis than the rest of us, but they have jobs that throw them into more perilous situations (italics added, Cohen Feldberg, 1991, pg. 6). 2.5 Stress in Policing 2.5.1 Definition of Stress Stress is the condition that results when person-environment transactions lead the individual to perceive a discrepancy, whether real or not, between the demands of a situation and the resources of the persons biological, psychological or social systems. In medical terms, stress is the disruption of homeostasis through physical or psychological stimuli. Stressful stimuli can be mental, physiological, anatomical or physical reactions. The term stress in this context was coined by Austro-Canadian endocrinologist Hans Selye, who defined the General Adaptation Syndrome or GAS paradigm in 1936. Stress is a complex term to define. Its simplest definition might be that it is an event or situation that forces a person to adapt to the event. Stress is the event itself and the reaction to that event within the person experiencing it. Thus stress is completely subjective. What may be stressful to one person might be pleasant or fun to another. Flying, for example, can cause some people to develop anxieties and panic attacks while others love to fly and look forward to the flight. What is more, everyones body responds in the same way to a stressful event, or any event for that matter, but the people that suffer from stress related illness and problems find it hard to turn their bodys response off. Psychological stress is more to do with the turning off of the bodys stress responses to a situation. The bodys stress response is to increase the flow of hormones adrenaline and cortisol in the bloodstream. This has the affect of raising the heart rate, redirecting blood from the extremities and stomach to the vital organs, changing the consistency of the blood for potential injury and making our senses more aware. Psychological stress may have evolved from a real event that caused an emotional disturbance in the past. This event may have been the messy splitting up from a relationship that leads to emotional pain. As the event recedes into the past other sentiments within the persons psyche tend to cause anxiety and stress. So the person might feel unattractive to the opposite sex or lose confidence in socialising with people. These issues will cause stress for the person and can lead to other behaviours that induce stress. They may find it hard to stay focussed or feel that their personality is disintegrating or get anxiety attacks. 2.5.2. Work-related Stress Work-related stress is the process that where work demands of various types and combinations exceed the persons capacity and capability to cope. It is a significant cause of illness and disease and is known to be linked with high levels of sickness absence, staff turnover and other indicators of organisational underperformance including human error. Occupational stress is defined as the mind-body arousal resulting from the physical and/or psychological job demands. The appraisal of a stressor as threatening leads to anxiety and anger and the associated activation of the autonomic nervous system. If severe and persistent, the resulting physical and psychological strain may produce adverse behavioural consequences (Spielberger et al., 2003). A healthy job is likely to be one where the pressures on employees are appropriate in relation to their abilities and resources, to the amount of control they have over their work, and to the support they receive from people who matter to them. As health is not merely the absence of disease or infirmity but a positive state of complete physical, mental and social well-being (WHO, 1986), a healthy working environment is one in which there is not only an absence of harmful conditions but an abundance health-promoting ones. A healthy work environment is one in which staff have made health and health promotion a priority and part of their working lives. 2.5.3. Work-related Stress amongst Police Officers Police stress can be found wherever there is functioning police officers. Unlike any other work-related stress, research has proved that causes and effects of stress amongst police officers are more pronounced and unique among law enforcement officers (Finn Tomz, 1996). Law enforcement is considered to be one of the most stressful occupations which results in domestic violence, alcoholism, suicide, and other emotional and health problems (Anderson King, 1991). Exposure to police stressors can lead to serious physical and psychological health problems, and these problems can result in reduced work productivity, increased absenteeism, higher turnover and so on (Parsons, 2004). In a study carried out by Mandy Larcombe in 2007) it was found that stress among police officers was such an issue in years 2004 and 2005 that about 250,000 days were lost across the United Kingdom police forces due to stress related illnesses, which had amounted to a loss of  £40M a year, and 20 percent of those police officers had exhibited symptoms of depression. 2.5.3.1 Sources of Stress for Police Officers Different officers are likely to perceive different events as stressful, depending on their individual background, personalities, expectations, law enforcement experience, years on the job, type of police work they perform, and access to coping resources (Kirschman et al., 1992). Nevertheless, the sources of stress which seem to be common among police officers fall into three main categories: Organisational Stressors; Operational Stressors, and Stress related to the individual officers personal life and approach to stressful events. 2.5.3.1.1 Organisational Stressors Although many people perceive the danger and tension of law enforcement work (glamorised in books, movies, and television shows) to be the most serious stress for officers, research has shown that much of the stress felt by police officers emanate from the organisation itself. Kahn and Byosiere (1992) categorized stressors in organisational life into two groups termed task content and role properties. Task content stressors are the physical aspects of organizational life that characterise the task at hand including its complexity, simplicity, or monotony and the physical conditions under which it must be carried out, such as extreme temperatures, equipment inadequacies or excessive noise. Role properties on the other hand, are the psychosocial aspects of organisational life, which characterise the social nature of the job including role ambiguity, role conflict, role overload and interpersonal relations between superior officers and subordinate personnel. 2.5.3.1.1.A Task Content It is generally assumed that police officers often work in dire physical conditions, for example, patrolling in adverse weather conditions which may lead to stress. However, the feeling of stress may be compounded by substandard equipment and facilities. In addition to the physical conditions, police work cannot be said to be simple. Policing a democratic society is exceedingly complex (Goldstein, 1977) and the opportunity for contradiction is always present (Kinnane, 1979). Police-citizen encounters occur within a defined set of laws, rules and regulations which is ever increasing and indistinct, where decisions are not differentiated into right and wrong, yes or no. The decision environment is often vague and less than ideal, which may not produce the ideal result. More than often, police work is monotonous and tedious, especially during nightshift. Boredom is punctuated by brief periods of excitement that raise and lower physiological responses to the stimuli creating fatigue (Coman and Evans, 1991; Dwyer, 1991), which may weaken judgment, slow reaction time and increase the risk that a police officer will respond in an inappropriate manner (Lauber and Kayten, 1988). 2.5.3.1.1.B Role Properties Role properties are also referred to as the psychosocial aspects of the work environment, which involve relations with co-workers and supervisors. 2.5.3.1.1.B(i) Role Conflict Role conflict is defined as the perpetual differences regarding the content of the role or the relative importance of its elements (Muchinsky,1996). These differences may occur among the police officers who may not have the same role expectations. One example which may portray role conflict among the police officers is their role as Social Peace-keeper and that of Crime fighter. The conflict emanates from these two models where the police officer is expected to deal aggressively against criminal behaviour while at the same time, protect the constitutional rights of the citizens. The contrast between what the police are expected to do and what the police actually do is enormous. Unfortunately, the police function suffers from numerous conflicts, contradictions and ambiguities that are not easily resolved. Another instance of role conflict stems from the paradox between police training and the realities of police work. 2.5.3.1.1.B(ii) Role Overload Muchinsky (1997:308) defines role overload as a variant of role conflict in which conflict is experienced as a necessity to compromise either quantity, time schedule or quality. Todays police officers are being told to work faster in the face of an increasing workload that is set within longer shifts (Heiler, 1998; Winefield et. al, 2002). Some research differentiates the concept of role overload as too much work (quantitative) and work that is too difficult (qualitative) (Cooper and Marshall, 1977). 2.5.3.1.1.B(iii) Role Ambiguity Role ambiguity is derived from the symbolism and rhetoric proffered by police departments to legitimize aspects of its behaviour. Top police administrators often resort to symbolic measures and rhetoric to preserve the status quo and to create favourable public impressions (Lorinskas et al., 1985). Symbolic statements or perfunctory policies serve a variety of functions, many of which police executives use to shape the workforce and community sentiment for the agency and its policies instead of making any substantive change (Kelling, 2008). 2.5.3.1.2 Operational Stressors Although organisational factors and policies may be the most widespread and frustrating sources of stress for many law enforcement personnel, there are occasions when the work itself constitute a source of stress. Operational stressors ar

Sunday, January 19, 2020

Lyric Analysis

Kayla Keeney English 131 Ms. Jones 20 Feb. 2013 â€Å"Not Ready To Make Nice† Rhetorical Analysis â€Å"Not Ready To Make Nice,† a song released in 2006 by the Dixie Chicks is a controversial song written after Natalie Maines commented that she was â€Å"ashamed the president of the United States is from Texas† (Tyrangie), in between songs at a concert in Britain in 2003. The comment resulted in The Dixie Chicks being dropped from playlists at many radio stations across the south (Tyrangie). This song is about how Maines is not willing to forgive all of the negative remarks and actions made towards the band, some which include death threats.One rhetorical tool used by the Dixie Chicks is pathos. The first verse, â€Å"Forgive sounds good/ Forget I’m not sure I could/ They say time heals everything/but I’m still waiting,†opens the song showing forgiveness, anger and sadness (Dixie Chicks). They are letting it be known that they would like to f orgive all of the people that have hurt Natalie, and the rest of the band, due to her comment, but some of the actions taken towards them were so extreme that they are not sure that they could ever forget them.The next verse includes the lines â€Å"I’m through with doubt/There’s nothing left for me to figure out/ I’ve paid a price and I’ll keep paying† (Dixie Chicks). When this, and the lines â€Å"It turned my whole world around and I kind of like it† are sung, Maines is making it clear that she does not have any regret about her comment towards President Bush and she is done doubting herself because of it. She is letting it be known that she may have had to pay a price of the Dixie Chicks music no longer being on the radio, but she is no longer going to doubt herself or regret her comment because she is entitled to freedom of speech.This brings a bitter sweet emotion into play, because she realizes many other people probably feel the same way; she just voiced her opinion publicly and is not ashamed of it. Pathos is used in that verse when she is talking about the price they will keep paying. Music is their career and it got taken away by one band member’s comment. That verse brings heartbreak to not only the song, but the band members who are so passionate about their music and career choice, along with the listeners that loved the Dixie Chicks music. Joy and peace is brought into the song when â€Å"I made my bed and I sleep like a baby. With no regrets†¦ † is said.Natalie is saying she is content with what she said and all the trouble she got herself and her band into. She has no regrets. â€Å"It’s a sad, sad story when a mother will teach her daughter that she ought to hate a perfect stranger, and how in the world can the words that I said send somebody so over the edge that they’d write me a letter sayin’ that I better shut up and sing or my life will be over† (Dix ie Chicks), brings a confused emotion. In the song when this verse is sung, it sounds like Natalie is going on a rant about how sad our world is today, and an angry tone of voice is used to really show her anger about the situation.She sounds scared, sad, and mad all at the same time. She is confused at society. All of the pathos used already throughout the song, bittersweet, heart break, joy, peace, and confused, is revisited again in the chorus, which states â€Å"I’m not ready to make nice/ I’m not ready to back down/ I’m still mad as hell and I don’t have time to go round and round and round/ It’s too late to make it right/ I probably wouldn’t if I could/ ‘cause I’m mad as hell can’t bring myself to do what it is you think I should† (Dixie Chicks).Ethos is also a rhetorical tool the Dixie Chicks used throughout the song. The Dixie Chicks have credibility writing and singing this song, because it goes a long wit h a life event of theirs. If another singer or band would have published â€Å"Not Ready To Make Nice,† it would not have had as much meaning or emotion, and it would not have been expressed as it was by Maines, unless they had a similar experience. After Maines was asked if she was sorry about her London comments, she said no and responded with â€Å"Sorry about what? Sorry about what?Sorry about not wanting to go to war? And not wanting people to die? â€Å"(Schorn) Many people felt the same way as Natalie Maines did, but did not voice their opinion in such a way as she did. She has every right to do so though. It is common for people to not like the idea of going to war. Americans have the right of freedom of speech, in other words, â€Å"the right to express any opinions without censorship or restraint. † Natalie Maines should be able to voice her opinion as she pleases, due to the first amendment, which brings logos into play.Maines Logos in â€Å"Not Ready To Make Nice† includes the comment itself, that was made and freedom of speech. Since the first amendment exists the Dixie Chicks should not have been punished like they were. Knowledge about the comment, and some background about the Dixie Chicks lives afterwards, is needed to make sense of the song and the meaning behind it. After finding out about the death threats made towards the band, and the banning of their songs on the radio, there is more of an understanding as to why there is so much pathos throughout.It is logical to think that the Dixie Chicks wrote this song as feedback towards country music listeners and southerners, to voice how they feel about the actions done towards them; it is their way of expressing their feelings publically a couple of years later. Through pathos, ethos, and logos, the Dixie Chicks are able to speak out publically to let the world know how Maines’ comment has affected them. Though Maines states she does not regret what she said, she m akes it clear that her life has changed forever, along with the Emily and Martie’s, the other band members.This song is a way for Maines to stand behind her comment and to stand up to President Bush. Behind the words is passion. The Dixie Chicks are passionate about the meaning they are trying to get across to listeners. They want listeners to feel what this song means to them and they want us to feel their emotions that they have poured into writing this song. â€Å"Not Ready To Make Nice† is a way for them to show courage, by telling the world they are at peace with what was said back in 2003. Works CitedChicks, Dixie. â€Å"Not Ready To Make Nice. † Cowboy Lyrics. cowboylyrics. com. Web. 19 Mar 2013. . â€Å"freedom of speech. † Dictionary. com Unabridged. Random House, Inc. 19 Mar. 2013. . Schorn, Daniel . â€Å"Dixie Chicks: Not Ready to Make Nice. † http://www. cbsnews. com/8301-18560_162-1611424. html. CBS, 11 February 2009.

Saturday, January 11, 2020

Oscar Wilde’s Dorian Gray

Oscar Wilde’s Picture of Dorian Gray received immediate criticism when it was published in 1890, being described as contaminated, unclean, and nauseous. The criticism stemmed from the challenges that were made by Oscar Wilde regarding Victorian morality. The novel was written in the aesthetic era, an era where authors attempted to reverse the role of art, to have no purpose besides being beautiful. Critics of the novel did not like this idea, fearing that it would corrupt readers, specifically their moral values.English philosopher Alfred Whitehead gave this view on morality, â€Å"What is morality in any given time or place? It is what the majority then and there happen to like and immorality is what they dislike. † Oscar Wilde added a preface to the novel a year later, in which he said, â€Å"There is no such thing as a moral or an immoral book, books are well written or badly written. That is all. † Adding onto Whitehead’s view, other morals exist outsi de of the majority, and people will develop their own morals based on how they interpret a situation. When Wilde reacts by saying that immoral and moral books don’t exist, I agree.The perspective that I developed in tying the 2 quotes together is that yes, a book is not written as moral or immoral, but it is viewed moral or immoral, depending on the reader’s own beliefs. I will argue that The Picture of Dorian Gray suggests that art can have immoral effects, but the artist should not bear complete responsibility. The prime purpose of art in the Victorian Era to most viewers was to give concrete moral values. The concept of Hedonism in the Picture of Dorian Gray is evident throughout, and was the root for it’s criticism.Lord Henry is responsible for placing these pleasure-seeking ideas in Dorian’s mind, as Dorian became obsessed with Lord Henry. In Wilde’s time period, as mentioned earlier, the artists were challenging accepted social norms. It is e vident that Lord Henry is also challenging accepted morals when he says, â€Å"Modern morality consists in accepting the standard of one’s age. I consider that for any man of culture to accept the standard of his age is a form of the grossest immorality. † Challenging social norms is one characteristic that Wilde and Lord Henry share.Therefore, since this is a big part of the novel, I argue that Wilde wrote the novel as if he was Lord Henry. This is important because some view Lord Henry as the main reason for Dorian’s downfall. To counter this, I want to point out that Dorian is the one who let Lord Henry influence him. Further, when Lord Henry gives Dorian the mysterious yellow book, it is Dorian’s choice to base his life around this guide on how to live a pleasure-seeking life. The main argument I am making here is that Lord Henry cannot be fully blamed for Dorian’s downfall.As it related to Wilde, he does write immoral ideas for his time. For e xample, hedonism and homosexuality. The point is yes Wilde wrote about these topics, but he should not be held responsible and considered immoral as an artist because his time period rejected these views. A big part of the novel that needs to be looked at if Wilde wrote the book through Lord Henry’s eyes is the fact that Dorian ended up dead at the end of the book and Lord Henry didn’t face consequence. This is Wilde suggesting that Lord Henry’s sayings, books, and thrill seeking lifestyle are all irrelevant to Dorian’s morality.Relating this to real life, Wilde is suggesting that a piece of art is not based on the moral value of the artist, but rather the way a viewer lets the work influence him or her. The slow deteriorating of Dorian’s painting is a reflection of the sins he has committed. For example, when he embarrasses Sibyl and it leads to her suicide. Another example is Dorian’s killing of Basil. Finally, when Dorian attempts to chan ge his lifestyle and not screw over another girl, the painting worsens. The painting mirrors an image of sins that Dorian cannot erase or escape guilt.Dorian stabbing the painting shows that he died from his own sin, not by any influence. The art is then returned to its original beauty. This shows that Wilde is suggesting that art should be kept separate from morals in society. Further, this is justified by art being viewed in this new movement as strictly beautiful; it bears no responsibility for a moral purpose. An artist’s responsibility to morals is again minimized. Another point I would like to bring up is that if The Picture of Dorian Gray came out in a different time period, it would not have been so heavily criticized.This is because people would have had different morals and immorals, as reflected in Whitehead’s previous quote. If you agree with this, you have to agree with the argument that an artist is not fully responsible for any moral or immoral judgment of his or her art. The final perspective I would like to point out is for those who interpreted Wilde as writing the story through the eyes of Basil. At some points, I can agree with this, and it strengthens the argument that Wilde feared criticism by a good majority of people at his time. This is evident when Basil is afraid to show off his painting, in fear of what others will interpret it as.This is similar to Wilde’s work of Dorian Gray, in that Wilde wrote a story that challenged some moral beliefs, and was hesitant as to what people might think. When Basil finally does reveal his painting it is viewed as beautiful, but slowly deteriorates. I argue that this is how Wilde felt about his work, that it was the perfect novel, but it to was brought down by heavy criticism of another person. The point here is that Wilde did not intend everything in the story to be a moral message, he used his characters actions as puzzles pieces for each reader to put together their own belief s.Therefore, his critics should not hold him morally responsible. The belief of hedonism is demonstrated throughout the book, as mentioned earlier; in the way that Dorian lives his life. This is an example of Wilde reflecting his new movement’s ideas, to live for beauty. In the article The Conflict Between Aestheticism and Morality in Oscar Wilde’s The Picture of Dorian Gray, author Patrick Duggan makes the observation that hedonism is what Wilde was attempting to introduce through Dorian, but at the end of the novel Wilde puts restraint on this lifestyle.When Dorian cannot reverse his sins, Wilde is suggesting that people still need to consider the consequences of their actions. Further, yes Wilde displays a thrill seeking lifestyle in the Picture of Dorian Gray, but he also suggests that the artistic movement he is involved in will only survive with SOME limitation. This view complies with my argument that art can have an immoral effect on people. Which is why an art ist must have SOME consideration, but the artist will not bear complete responsibility because each viewer is going to look at artwork differently.

Friday, January 3, 2020

The Great Gatsby by F. Scott Fitzgerald - 1824 Words

America’s Roaring Twenties were a time of pivotal social change. After World War I, wartime factories were adapted to mass-produce commodities for the middle class, including some, like the radio, that many had never encountered before. For men who had previously lived simple lives on farms in the country, the contrast of experiencing the horrors of â€Å"The Great War† and returning to live and work in factory cities of technological wonder shook their assumptions about social and cultural norms – it was a new and exciting time; things were uncertain, but they were alive. For women, many of whom had worked in the factories during the war, the 1920s were a struggle against the oppression of the old culture, dominated by males, that left few roles for women other than submitting to their husbands while staying at home. They had had a taste of freedoms they were not about to give up, but few knew how to fight or what victory would even look like. Winning the right to vote and pushing into social circles by seizing behaviors that were previously exclusively male (or at least previously more outrageous for women) signaled a big change in social norms, but culture was slow to make sense of what a desirable role for women would and should be. This period of lively upheaval and confusion, not without its cynics, is illustrated by F. Scott Fitzgeralds The Great Gatsby. Regardless of their relationship to the different men in the novel, the women of The Great Gatsby all struggleShow MoreRelatedThe Great Gatsby by F. Scott Fitzgerald1393 Words   |  6 PagesF. Scott Fitzgerald was the model of the American image in the nineteen twenties. He had wealth, fame, a beautiful wife, and an adorable daughter; all seemed perfect. Beneath the gilded faà §ade, however, was an author who struggled with domestic and physical difficulties that plagued his personal life and career throughout its short span. 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